I have been working all year to write The Vault, commissioned by Flat Earth Theatre in collaboration with the Museum of Science Boston, exploring the intersection of climate change justice and theatre: The Greenhouse Playlab: a Climate Change Theatre Incubator.
I’m writing a play inspired by Climate Change commissioned by Flat Earth Theatre and the Boston Museum of Science – they have collaborated to create the Greenhouse Playlab, which is developing four new plays that focus on issues of climate change by MJ Halberstadt, Kevin Mullins, Francisca Da Silveira, and myself. The plays these guys are writing are so fresh, funny, devastating, and smart – and each tackle the vast issue of climate change in different ways. And we get to work with the best dramaturgs and directors as well, it’s been such a treat. Shout out to my director Josh Glenn-Kayden and dramaturg Phaedra Scott!
The play I’m developing is called The Vault, which is inspired by the science of seed diversity, the Global Seed Bank, the Vavilov seed bank scientists who died of starvation to protect the seeds during the Nazi occupation of Leningrad, and predictions that climate change will eventually cause widespread food insecurity and war. In the near future, in the northernmost town in the world, a lost tourist and a local baker find themselves inside a cave in a mountain of ice in the middle of the night. The world outside is at war, ravaged by climate change, and they are each bent on saving it in their own way. Nothing and no one is what they seem in this icy fever-dream….I’m still writing it so we’ll see where it goes! If you want to find out, check out the free readings at the Museum of Science on May 4, 2018.
The big news right now is that I have been commissioned by SpeakEasy Stage Company to write a new play called Born Naked for the inaugural Boston Project, with a workshop and staged reading in February 2016. I am so honored and excited to be working with them, and to be developing this play with their support. So far the play is proving to be a scary, funny, ambitious new endeavor that is feeling really great to sink my teeth into – researching and scribbling, planning and questioning… and as the world outside is slowly getting colder and darker I am inside writing writing writing. Happy fall!
When I first began to think I wanted to be a playwright/actor/director/theatre maker, I was told to be patient, to stick with it, to learn to define my own success, to work together – and that it would probably take me 10 years to get where I wanted to go. Here I am, ten years later, and there are so many exciting projects to look forward to in the New Year, my first New Year’s resolution is to stay healthy so I can do it all!
The 3rd Annual Boston One Minute Play Festival will feature a couple of tiny plays of mine, among many many other tiny theatrical moments by many other local playwrights. I love how this festival captures our local zeitgeist and asks playwrights to write plays that speak to each other, and speak volumes, collectively. If you can’t make it in person, you can watch it on Sun Night at 11PM Eastern on Livestream.com/newplay where it will also be archived for later viewing.
Speaking of collective voices, I am working on a couple of devised theatre projects. These collaboratively crafted pieces are unfolding bit by bit, and I’m very excited to see where they lead… but there’s no telling when they might be ready for public consumption… I’ll keep you posted!
The 6 Weeks 6 Plays challenge – I am looking forward to leading this as well as trying to write a new play each week myself!
Master Scriptwriting – professional actors, visiting artists, team teaching, cross-genre discussions, and a public reading are all pretty thrilling stuff, not to mention the plays and screenplays that these students are going to be working on. I’m beyond excited to see these things grow.
The Spring Play at Mount Ida – I’ll be directing again at Mount Ida College this spring. Following last year’s successful One Act Play Festival, we are putting on a full-length play! I have been thinking about plays with flexible cast sizes, strong female roles and a minimal design aesthetic for the entrepreneurial band of talented young thespians that is the Mount Ida Drama Club… more on this soon!
Here’s to challenges, full plates, and the pay-offs of long-term resolutions – happy & healthy holidays to you all!
Unlike Edward Albee, who famously doesn’t write a word of a play until he’s perfected it all in his head, I often write things that don’t end up in a play. A monologue to get to know one of my characters better. A scene from before the play begins. A scene that the audience won’t ever see but hears about in another scene. The “bad” version of a scene. Raw materials – all the things I need to work through, explore, practice, build before the polished version emerges. Most of this stuff is happy to live “in the drawer” forever, never intended for an audience. When I am just starting to write a new play, I sometimes don’t know which stuff will end up in the official first draft, and which stuff will end up getting cut. This month, some of this unpolished, in-process material will be getting public readings. So if you want a window into my process, or if you just like to hear new pages hot off the old inkjet, and you live in the Boston area, check out some of these exciting events:
Bostonia Bohemia’s Fly On The Wall Festival will feature a couple of my site specific monologues
Interim Writers’ Have You Read? on November 16th at 7:30pm at the Democracy Center in Harvard Square – Reading of raw materials from play-in-progress Forever Home
And for a reading of a full-length play a little closer to polished, but still in process check out: Wax Wings Productions’ Reading of Mad Props on November 17th at 7pm (also at the Democracy Center)